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CUSTOM SHOP PRODUCT
The Mixing Suite (tm) is a modular, rack mountable, portable analog
workstation offering a variety of plug-in modules of uncompromised
sonic character, technical specification, and mechanical workmanship.
Five mixing-oriented modules are available.
Offering 100% compatibility with George Massenburg's (GML) HRT-9100
(tm) Mixing System, the Millennia Mixing Suite provides audio
excellence and modular flexibility. With a focused selection of input
and output options, the Mixing Suite is intended for critical location
recording, large MIDI-array mixing, general sub-mixing, film and stage
work, Surround stems, multi-source mastering, and more. Remote fader
packs are optionally available offering automated or non-automated
control. Multiple Mixing Suites can be combined for a total of up to 80
input channels.
Employing circuitry similar to that found in the acclaimed Millennia
HV-3 microphone preamplifier, the Mixing Suite is almost entirely DC
coupled without the addition of servo amplifiers. Each circuit element
has been carefully optimized in critical listening tests for musical
realism, spatial accuracy, and dynamic stability. No detail of circuit
design, electro-mechanical design, or component selection has been
neglected.
The Mixing Suite is a high speed, high headroom signal path design.
Utilizing the finest French Vishay conductive plastic potentiometers
and superior grade componentry throughout, the Mixing Suite is designed
for a lifetime of professional industrial applications.
A rugged, high-performance external power supply accompanies the
Mixing Suite. The power supply chassis employs a 40W engineer's
talkback amplifier with a feature we call True Mute(tm). In other
remote talkback systems, the amplifier remains on, with audible hum or
hiss. The True Mute system assures that all amplifier power is off when
talkback is not selected, yet returns quietly to full power in less
than 50 mS after talkback is selected.
1997 TEC Award Nomination
We encourage comparison testing. Listen to the critical detail of
bell-tree, female voice, and complex percussion. Compare the timbre
realism and spatial accuracy of shared stereo miking on orchestra,
choir, and jazz combo. Specifications are a guide; and Millennia
products continue to set the industry pace in lab measurement
standards. But specs don't always tell the sonic story. Just Listen.
Over 20,000 Millennia mic preamp channels have been chosen by today's
leading artists, engineers, recording companies, and symphony
orchestras. We are confident that you will discover the difference
superior analog circuitry can really make.
Highlights
- George Massenburg Hrt-9100 (Tm) Compatible
- Matched Discrete Octet Balanced Summing Amps
- True Stereo Solo Bussing With "Toggle-Clear"
- Solo Selectable ‘Safe’ Or ‘Destructive’
- Stereo, Mono, And Passive Input Modules
- Fully Modular, Up To 80 Channels
- Sweepable Rumble Filters On Inputs
- Thd+N Less Than .002% Front To Back (.0007% Passive)
- Frequency Response 2 Hz - 400 Khz (-3 Db)
- +32 Dbu Output Headroom. +26 Dbu Baseline Headroom
- Four Main Busses, Entirely Balanced
- Four Aux Busses, Entirely Balanced
- Minimum Topology Signal Path
- Vishay Precision Potentiometers
- Optional User-Configurable Remote Fader Packs
- Bulletproof 40w Talkback Amplifier With True-Mute(Tm)
- High Speed Transformerless Design
- Timbral & Spatial Resolution Is Preserved
Available Function Modules
- Mono Input Module W/ Millennia Hv-3 Mic Preamp (Mim-01)
- Passive Stereo Line Input Module (Pim-01)
- Stereo Line Input Module (Sim-01)
- Stereo Main Master Module (Smm-01)
- Aux Master Module, 4-Out, 4-In (Amm-01)
Specifications
Specifications SIM, MIM, AMM, PIM Cards
MINIMUM LINE TRIM GAIN (SIM/MIM)
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- 12 dB
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MAXIMUM LINE TRIM GAIN (SIM/MIM)
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+12 dB
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MINIMUM GAIN (AMM)
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Fully Off
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MAXIMUM GAIN (AMM)
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+9 dB
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RUMBLE FILTER ADJUSTMENT RANGE
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22 Hz to 220 Hz
(-6 dB/oct)
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FREQUENCY RESPONSE (Input Card Only)
2 Hz - 400 kHz, +24 dBu Out
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+0/-3.0 dB
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FREQUENCY RESPONSE (Input Card Only)
2 Hz - 300 kHz, +24 dBu Out
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+0/-1.0 dB
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FREQUENCY RESPONSE (Input Card Only)
10 Hz - 30 kHz, +24 dBu Out
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+0/-.05 dB
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NOISE RATING Unity Gain, Line in to Insert Out
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-102 dB
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TOTAL HARMONIC DISTORTION PLUS NOISE
Unity Gain, 10 Hz - 20 kHz, +20 dBu Out
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< .0009%, Typ .0005%
(5 PPM)
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INTERMODULATION DISTORTION (50 Hz & 7 kHz) Unity Gain, +20 dBu Out
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< .001%
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PHASE RESPONSE Unity Gain
50 Hz - 20 kHz, +24 dBu Out
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< 2 Degrees
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PHASE RESPONSE, STEREO DEVIATION Unity Gain
20 Hz - 40 kHz, +24 dBu Out
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< 1/2 degree deviation
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COMMON MODE REJECTION RATIO, Unity Gain
10 Hz - 20 kHz, 100 mV C.M.
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> 95 dB
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MAXIMUM OUTPUT LEVEL, Insert Out
At Onset of Clipping
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+32 dBu
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MAXIMUM INPUT LEVEL, at Onset of Clipping
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+26 dBu
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LINE INPUT IMPEDANCE
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4,410 ohms @ 1kHz (others available)
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INSERT OUTPUT IMPEDANCE
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24.3 Ohms (x2)
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Specifications SMM (Master) Card
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FREQUENCY RESPONSE (Line In to Mix Out)
2 Hz - 300 kHz, +24 dBu Out
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+0/-1.0 dB
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FREQUENCY RESPONSE (Line In to Mix Out)
20 Hz - 30 kHz, +24 dBu Out
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+0/-.05 dB
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NOISE RATING (Unity Gain, Line In to Mix Out, 1 ch)
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-98 dB
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NOISE RATING (Unity Gain, Line In to Mix out, 8 ch)
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-92 dB
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TOTAL HARMONIC DISTORTION PLUS NOISE Unity Gain, 10 Hz - 20 kHz, +10 dBu Out, Line in thru Mix out
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< .002%, typ .001%
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TOTAL HARMONIC DISTORTION PLUS NOISE Unity Gain, 10 Hz - 20 kHz, +20 dBu Out, Line in thru Mix out
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< .005%, typ .002%
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TOTAL HARMONIC DISTORTION PLUS NOISE Unity Gain, 10 Hz - 20 kHz, +20 dBu Out, Line in thru Mix out
Using Passive Input Module as Source
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< .001%, typ .0008%
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MAXIMUM MIX OUTPUT LEVEL
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+32 dBu at Onset of Clipping
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MIX OUTPUT IMPEDANCE
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24.3 Ohms (x2)
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MAXIMUM HEADPHONE OUTPUT LEVEL (x2)
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+24 dBu
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OSCILLATOR FREQUENCIES
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100 Hz, 1 kHz, 10 kHz
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MAXIMUM OSCILLATOR OUTPUT
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+24 dBu
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METERING RESPONSE (jumper selectable)
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Peak or Quasi-VU
Bar or Dot Mode
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METER "0" REFERENCE LEVELS (jumper selectable)
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-20 dBu, -12 dBu
+4 dBu
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MAXIMUM TAPE RETURN LEVEL
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+24 dBu
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MAXIMUM MONITOR OUTPUT LEVEL
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+26 dBu
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Specifications Universal Electronics Enclosure + Power Supply
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CHASSIS (RACK EAR) MOUNTING ANGLES
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0, 10, 20, 30 Degrees
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ELECTRONICS ENCLOSURE DIMENSIONS
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19" W x 13" D x 7" H
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POWER SUPPLY DIMENSIONS
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19" W x 12" D x 3.5" H
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POWER SUPPLY OUTPUT VOLTAGES
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+48V (phantom), +/-28V (analog), +/-18V (analog), +8V (logic), Analog Ground, Digital Ground, Earth Ground
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AC POWER REQUIREMENTS
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100VAC, 120VAC, 220VAC, 240VAC
All front panel selectable
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W
Unless stated, all measurements are balanced into 100k ohm load on a calibrated Audio Precision System One. |
